The idea of what comprises ‘India’ has attracted immense dialogue and debate ever since the notion of an
‘identity’ was thrust upon us by forces we did not invite. And even though not all of us will agree with
each other’s definitions of it, our every day lives have a very different story to tell. They’re united,
not by the language we speak or the region we reside in, rather by the objects we use in the closed
spaces of our homes. Jahnvi Lakhota Nandan’s Pukka Indian is a pictorial attempt at exploring ‘100
Objects That Define India’ and how they’ve transformed through time.
As someone who has studied architecture, Jahnvi’s interest in observing the peculiarities of commonplace
objects and a close relationship with trying to understand what ‘home’ meant, led her to explore
elements of Indian design in objects that one is likely to find lying around in some corner of the
house. “The sheer number of noteworthy objects makes choosing what to include and what not to in a book
like this extraordinarily complicated. So I chose to create a portrait of Indian design”, she writes.
Bindi, Ghungroo, Hindustan Ambassador, Bartan—Pukka Indian is a photographic collection of 100 such
objects that have been quietly existing for decades and centuries. The book traces their evolution over
the years and the silent mysteries surrounding their origin.
This book provided me source content for the project "Mine" where we mined the global visual culture and wrote our critique about each visual.